Getting back to the Supercollider's awesomeness, well, my picups, HSH, my amp, my rig loves this pedal and the pedal loves my rig, it's really eye opening. Anything more and I'd have to re-calibrate the rest of the pedals. Keeley OxbloodGe actually is thee most incredible BassCut and provides a MidHump my amp's Boost gives just a push KarmaSutureSi does its usual majicke after Fuzz. STACKING: SC wants to be KingOfTheHill, there's not much room to Boost this massiveness. Supercollider IS THE FIRST FUZZ that for me has melded WITH my CleanChannel, instead of 'sitting on top of' the amp's sound, as can happen with Fuzz from time to time, lol!Д®mbarrassing- my first thought was, 'Why can't I get Terminal to sound this doomy good?' I'll say UserError. So, of course, I'm blown away, because I literally have TWO separate boxes, so to speak, since SC reacts so differently to the two channels.

In this case, it IS night/day between my two channels. So, hey, why not try the CleanChannel? I know Fuzz usually sounds night/day in the CleanChannel. So, I'm playing Supercollider in my Traynor combo LeadChannel, and it's a Muffy delight, but, I'm missing that Treble nastiness that I've heard from '69 Vids. I know their '71 is NOT the '69, lol, and even SUF's TriMuff has different year-variants. Now I know more about why it's different bla bla. there must be some lingering ganglia in my head that remembers the sounds of my SuperCrappy, I believe, 1979-80 op-amp BM. What I haad been looking for, was TheOriginal BM Experience, the '69 that just sounds so monstrous (which I thought the Reissue sounded pretttty pretttty pretttty pretttty good). I have the SOVTEKBigMuffDLX, but, because I use that at LoGain and with ample guitar Blend, I get a totally different BM experience from that. I always start with when I'm setting the Tone (after I've set the Level).ДЄnyhow- as far as I'm concerned, I was BeyondGilmour. lol, this TOO sounds like a BigMuff+RAT!- but, again, made for BassGuitar sorta, so, it's just that must more monstrous on guitar than the more guitar oriented Buzzaround. it's just brilliant the variations of character you can get. lol, there's 3 Tone knobs all dealing with 'down there'. I wanted to set all three knobs 'away' from each other, to get the widest possible tonal palette, and. aawesooooome! The Tone-Mids-Mass triple EQ section reeeally covers all the territory. 'badass'.Д®arthboundAudio says their pedal was 'made for bass and heavy doom guitar', and, as opposed to the PBB, the Supercollider has a bassier trajectory. I remarked how, even though I'm no expert, I thought the Buzzaround sounded like BigMuff+RAT: it has that perfect 'Distortion' SOUND. I 'needed' a Muff for Historical reasons, and, one must know what 4 Transistors is like after getting familiar with, say, the PlagueBird-Buzzaround.

This thing is massive in sonic width, and depth. I hemmed, I haFinally I pulled the trigger. Then I saw that there was also an SC'71, but, by MOST accounts, this was a slightly lesser Gain beast. I tried to disguise being interested in the SC by lumping it always in with the rest (oh, didn't I mention that there was only one SC available online?), and, also dredged up previous Threads. Don't want someone to get GASsed by your Post, eh? Next thing ya know, pooof! But, FT doesn't make a Muff, does he?ДON'T TELL ANYONE ABOUT THE RARE ITEM YOU ARE STALKING, WHILST AT THE SAME TIME TRYING TO ATTAIN AS MUCH KNOWLEDGE ABOUT SAID ITEM. Consistently, Supercollider seemed more feral, just sporting that extra unruliness that is like a hallmark of Fulltone Fuzz pedals. There's 3-5 DoomFuzzShootouts, all with Supercollider, BAT Pharaoh, Muskett, and a few others. I should maybe Post in my 'DoomFuzz' Thread, but, that seemed more about down-tuning, which, according to FloydRose, I can't do. and, well, he made a convincing argument that it was the widest, tank-like, and bristling thing around. juskiddin, but, I wouldn't have ever heard of it (me? DoomFuzz?) if he hadn't said it wasn't his current fav Muff.

Earthbound audio supercollider